If Maurice Steger made such a strong impression, at the beginning it was because there was something exceptional about his physical presence. One might say that he sprang onto the stage as if jumping out of a music box. And he was continually in motion, ready to jump anew or to take flight on the wings of the music, leaving behind a swirling cloud of notes. During the pause someone compared him to a faun – I couldn’t think of a more appropriate image.

CYBERPRESSE – CANADA – Richard Boisvert

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