If Maurice Steger made such a strong impression, at the beginning it was because there was something exceptional about his physical presence. One might say that he sprang onto the stage as if jumping out of a music box. And he was continually in motion, ready to jump anew or to take flight on the wings of the music, leaving behind a swirling cloud of notes. During the pause someone compared him to a faun – I couldn’t think of a more appropriate image.
CYBERPRESSE – CANADA – Richard Boisvert