Discography
| ANDREA STEFANO FIORÈ (1686 - 1732) | ||
| 1 | «Usignolo che col volo» | |
| Aria di Engelberta from the opera Engelberta (Milano 1708) | soprano, flautino, strings & b.c. | ||
| LEONARDO VINCI (1690? - 1730) | ||
| 2 | «Rondinella che dal nido» | |
| Aria di Ifigenia from the opera Ifigenia in Tauride (Venezia 1725) | soprano, strings & b.c. | ||
| FRANCESCO GASPARINI (1661 - 1727) | ||
| 3 | «Bell’augelletto che vai scherzando» | |
| Aria di Aurora from the opera L’oracolo del fato (Venezia c. 1709) | soprano, flautino & strings | ||
| FRANCESCO MANCINI (1672-1737) | ||
| Sonata 14 in G minor | ||
| Concerto for Recorder, two violins, viola & b.c. from 24 concerti del manoscritto Napoli 1725 | ||
| 4 | Comodo | |
| 5 | Fuga | |
| 6 | Larghetto | |
| 7 | Allegro | |
| PIETRO TORRI (1650? - 1737) | ||
| 8 | «Amorosa rondinella» | |
| Aria di Attalo from the opera Nicomede (Munich 1728) | soprano, strings & b.c. | ||
| TOMASO ALBINONI (1671 - 1751) | ||
| 9 | «Zeffiretti che spirate» | |
| Aria di Epicide from the opera Eraclea (Genova 1705) | soprano & b.c. | ||
| JOHANN ADOLF HASSE (1699 - 1783) | ||
| 10 | «L’augelletto in lacci stretto» | |
| Aria di Araspe from the opera Didone abbandonata (Hubertusburg 1742) | soprano, flautino, strings & b.c. | ||
| CHARLES DIEUPART (1667-1740) | ||
| Concerto in A minor | ||
| Concerto for ‘small flute’, strings & b.c. | ||
| 11 | Vivace | |
| 12 | Grave staccato | |
| 13 | Allegro | |
| ANTONIO VIVALDI (1678 - 1741) | ||
| 14 | «Quell’usignolo ch’al caro nido» | |
| Aria di Barzane from the opera Arsilda regina di Ponto (Venezia 1716) | soprano, strings & b.c. | ||
| ALESSANDRO SCARLATTI (1660 - 1725) | ||
| 15 | «Più non m’alletta e piace» | |
| Aria di Adone from the opera Il giardino d’amore (c. 1700-1705) | soprano, flautino, strings & b.c. | ||
| ANTONIO VIVALDI | ||
| Concerto in F Major, RV 442 | ||
| Concerto for recorder, strings & b.c. | Tutti gl’ Istromenti Sordini | ||
| 16 | Allegro mà non molto | |
| 17 | Largo e Cantabile | |
| 18 | Allegro |
| Nuria Rial | soprano |
| Maurice Steger | flautino & recorder |
| Stefano Barneschi | violin & direction |
| KAMMERORCHESTER BASEL on period instruments | |
| Stefano Barneschi, Valentina Giusti, Matthias Müller | violin I |
| Anna Faber, Regula Keller, Mona Marie Pöppe | violin 2 |
| Bodo Friedrich, Anna Pfister | viola |
| Martin Zeller, Georg Dettweiler | violoncello |
| Stefan Preyer | double bass |
| Daniele Caminiti | theorbo |
| Sergio Ciomei | harpsichord |
Baroque Twitter
Arias & Concerti | Fiorè, Vinci, Gasparini, Torri, Albinoni, Dieupart, Hasse, Vivaldi & Mancini
Baroque Twitter offers listeners an exiting journey into the world of early 18th -century Baroque poetry and music, a world filled with musical variety and soloistic brilliance.
Together with the Kammerorchester Basel, Nuria Rial and Maurice Steger have recorded an album of Baroque arias and concertos inspired by birdsong and Twitter. In their search for works they have discovered some dazzling jewels, some well known, others previously unrecorded: dreamily playful arias about love, infatuation and the beauties of nature.
Recording
23–26 July 2017, Les Dominicains de Haute-Alsace, Guebwiller, France
Recording producer & recording engineer: Joël Cormier · Mixing & mastering engineer: Daniel Dettwiler Assistant mixing engineers: Joël Cormier & Benjamin Gut · Mixed & Mastered at Idee und Klang Studio Basel
Concept, musicological research, edition of scores (except Mancini & Vivaldi): Giovanni Andrea Sechi © 2017
